While
flying out to Las Vegas for the SPCP Conference, I had begun to write this
article regarding the abuse of white pigment in the skin. Low and behold, Pat Gaultier presented at the
conference and her topic was Black and White and it was as though she was
finishing my sentences. Pat was simply wonderful in presenting both the verbal
and visual ramifications of using white to attempt corrections, cover-ups or to
highlight particular areas (other than Montgomery Glands on areola).
On behalf of those who did not get to attend, especially if
you are fairly new to the profession, my suggestion is you think of white
pigment as your enemy and not your new best friend.
There are many practitioners new to this profession and
although extremely talented, do not fully understand the downside of
attempting to cover up a mistake with white or beige or highlighting a lip with
white or beige. They are not in this profession long enough to see this
downside of using white in these instances and it won’t be pretty.
White is titanium dioxide and the only color in our spectrum
that is opaque. This is why many believe they can use it to cover something up.
It is not sheer and translucent like all the rest of our pigments. It is dense
and quite heavy in weight and never, ever leaves the skin. It will simply
outlast any color it is mixed with because it is heavier and it will eventually
float to the top like sour cream.
To appreciate the density, picture the lifeguards at the
beach. They often apply zinc oxide, which is mostly titanium dioxide, across
their noses in a big white strip to deflect the sun. It is quite dense. If they
were to place a stripe of any of our other colors across their noses, they
would be sheer. None of our other colors would provide protection to their
noses since they do not have the same density or weight that titanium dioxide
has.
Light
skin tone pigment or camouflage colors that would match a Fitzpatrick 1-3 will
contain titanium dioxide which is white.
Attempting to cover up a mistake with a light skin tone pigment may
first appear to be effective but it will be short lived. Sooner, as opposed to
later, the pigment particles of the beige in this camouflage color will vacate
and all that will remain is a yellowy white. It may even appear to be raised
and sit on top of the skin surface. It is unsightly! I have even seen white or
the yellowish white appear 3-dimensional.
We see these attempts all the time. They are generally made
around the eyes, especially on the outer canthus where the top eyeliner was
extended too far into the outer corner of the eye, bottom eye lids where the
liner was crooked or uneven, eyebrows that have been make too long or low or
uneven in the front (both medially and laterally) and around the lips.
Let’s first take a step back and ask why these attempted
cover ups are necessary? Why these mistakes? If practitioners took the time to
draw on these procedures prior to tattooing, these mistakes would have been
avoided. Yes, even a lash enhancement should be drawn on to see how the lashes
are seated and the eyelids are shaped. Only then can you identify the
subtleties for the most flattering and perfect placement of color.
Lips must be drawn on as well and certainly eyebrows. If
measuring tools are used on eyebrows and you check them for evenness before
tattooing, there would be no reason for attempting a cover up. Drawing on your
procedures is critical to insure you never have to do a cover up.
The latest trend is using white around the lips as a
highlighter or to create the illusion of fullness and a vermillion border. This
is a dangerous practice since the white will remain forever and possibly
yellow, while the lip color will eventually fade. In a few years this will not
be attractive. It is not over the counter makeup! White never leaves the skin
and eventually yellows so imagine this client up the road. Ask any tattoo
artist! If the white of a tiger’s eye is tattooed, it will eventually yellow
and have to be tattooed again to whiten it.
This is not the first time practitioners have abused the use
of white. Years back, some were attempting filling in wrinkles with white,
tattooing the darkness under the eyes with white and tattooing it on the wet
line. All of these proved to be great disasters. The under eye areas clumped
with whitish yellow and could not be laser removed since white will turn back
on contact with a light source. These women were maimed. My late and dear friend, Patti Pavlik, wrote
an article, “I Have this Needle Now What Else Can I Do With It”? We addressed
these issues of white being used wrongly and the ramifications of doing so. Here
we are a decade later addressing these very topics.
How do you rid the skin of white when laser is not an option?
Salt removal has proven to be the best solution in my practice. Crooked French
Eyeliner procedures where the white was uneven next to the black eyeliner, I
did a salt removal and it worked perfectly. Clumps of white that turned yellow
used in attempted cover-ups were also removed with salt solution. Salt solution
has never let me down! It is the safest and most effective pigment removal
system ever discovered.
Email us at rosemarie@beauinstitute.com for our salt removal instructions and post care.
beauinstitute.com
• 888-763-2328
